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6) Designs and Processes for Glass
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Prints on Paper page 1 of 3
These examples are printed by hand using silkscreen processes on mould-made paper or cartridge.
Many stencils are cut by hand. Some are processed photographically.
Two numbers describe each print within each limited edition. The first indicates the total with the same combination of stencils. For example "Edition 5/11" identifies the fifth in a set of eleven prints which are obviously similar.
The second number indicates the number of identical prints, i.e. with the same colours, overlaps and alignments. For example "State 2/3" identifies the second of three identical prints.
Some prints are shown with a detail on the right.
"Diptych" Edition 29/46, State unrecorded. Image size = width 62 cm x height 92.5 cm.
"Sheba and Six" Edition 30/50, State 1/1. Image size = width 68 cm x height 89.2 cm.
"Composite Mutation" Edition 11/21, State 1/2. Image size = width 65 cm x height 79.6 cm.
"Sheba Variation" Edition 10/37, State 1/1. Image size = width 65 cm x height 79.6 cm.
"Sheba Variation" Image size = width 65 cm x height 79.6 cm.
"Sheba Variation" Edition 10/37, State 1/1. Image size = width 65 cm x height 79.6 cm.
"Sheba Variation" Image size = width 65 cm x height 79.6 cm.
"Oriental Jewels" Edition 12/35 State 1/1 Image size = width 88.5 cm x height 61.5 cm
"Mihrab" Image size = width 41 cm x height 56 cm.
"Oriental Medallions" Image size = width 41 cm x height 56 cm.
"Walberswick" Edition 9/25, State 3/13. Image size = width 41 cm x height 56 cm. 1985.
Walberswick photography by Edward A. Armstrong, 1952. Tim Armstrong's original drawing in pen, pencil and collage has imagery adapted from "Virgin and Child", 1982, oils and enamels on copper and wood by Patrick Woodroffe. Silkscreen print, hand cut and photostencils.
Much of Tim's work combines representation, ornament, geometry and sentiment. A Methodical Sketchbook has suggestion for artists and students looking for ways to reconcile these and other elements including symbolism, text, political content, the influences of other artists and the needs of functional design. For more information click here
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6) Designs and Processes for Glass
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